The Artist - adapt or die

Starring Jean Dujardin, Bérénice Bejo, John Goodman.
Directed by Michel Hazanavicius.
Classification: PG (Mild themes), 100 mins.
Official Site: http://weinsteinco.com/sites/the-artist/

For those you ever laughed at technology taking over and making your job redundant - think again. George Valentin (Jean Dujardin) learned this the hard way... with superb casting Dujardin plays an immensely popular 1927 silent film lead actor. A chance meeting with soon-to-be actress Peppy Miller (Bérénice Bejo) see the tables of stardom turn as the Studios (John Goodman) decide "Talkies" will be the future.

Valentin is unable to find his voice and sees himself of the verge of madness. Riches to rags, Valentin has lost all hope, though Miller has never forgotten anything Valentin has given her (including her stage persona). Equally, Valentin treasured the first film he did with Miller. When everything he owns is lost the only memory he clutches to is this film. But there is one more film development to emerge, and a last hope for Valentin...

Profoundly scripted, an extraordinary sound track, laugh out loud funny, and poignantly emotionally moving - in fact everything about this film is expertly produced with deep insight into the history of cinema.

A courageous project to produce a silent film in the 21st Century, proving story rules over dialogue. Well done!

Now showing nationally at Dendy,  Palace and selected cinemas.
Go see it, you won't be bored!

The Descendants - v. Clooney

Starring George Clooney, Beau Bridges, Judy Greer, Shailene Woodley, Robert Forster.
Directed by Alexander Payne.
Classification: M (Mature themes and coarse language), 115 mins.

What do you do... how do you feel... how do you react... when  your world suddenly crumbles and realise you've been betrayed? This film highlights everything good that Clooney's screen persona embodies.

 Matt King (George Clooney) is a father of two tween daughters, the chairman of a huge family trust, a businessman, and the carer of his wife whose hospitalised with a coma. He has a little on his plate!

This is his arduous journey from existing in his "own world" to connecting with the collective, ancestral, and ultimately his authentic self. It's no easy ride though in true Clooney style he handles every situation thrown at him, like all of us would hope we'd do, with integrity and sometimes humour. Living in an idyllic location of Hawaii doesn't mean we're immune to the innate human experience.

A wonderfully written script, great casting, and beautifully filmed.

Showing nationally in Dendy cinema's and selected independents. 

Melancholia - thank goodness for small planets!

Starring Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland.
Directed by Lars von Trier.
Classification: M (Sexual references, nudity and coarse language), 136 mins.

 If Tree of Life (2011) is at one end of the life-affirming poetic spectrum, Melancholia is at the extreme end of life-negating. Interspersed with the occasional beautiful landscape scene that are zooming stills (thank goodness for small mercies), the ENTIRE rest of the film in shot in annoying, unsettling, HandyCam - not even SteadyCam, yes jumpy close-ups of switching of dialogue. The background sound, equally annoying, is the radio waves of the approaching planet screeching, ebbing and overtaking, and utterly distracting. The characters are so unlikeable, by the end of two-and-a-half hours (of my life that I never get back watching this film), you feel like cheering on the little planet of Melancholia to destruction!

Set in two parts - part one "Justine' (Kirsten Dunst) is undoubtedly hauntingly beautiful - albeit self sabotaging, irresponsible, and downright hurtful to her newly-wed husband and the meticulous planning of the wedding reception by her perfectionist sister Claire (Charlotte Gainsbourg). Needless to say it mostly likely the shortest marriage in history, even by Hollywood actor standards - though painfully for the audience, stretches into at least about a year an hour on film.


If by any chance you happen to be able to sit through part one - part two "Claire" is equally uneventful, another hour of "will the planet Melancholia hit earth or not?" - in between the vague premise of who will have the first breakdown, Claire or Justine is equally irritating. Meanwhile Claire's husband John (Kiefer Sutherland), has a fascination with astrology and owns a mansion complete with butler - which seems to be the only reason his character is in this film.


Did I happen to mention the whole film was shot in HandyCam! Yes, yes it is stylistic Director choice though I can't help but imagine what the heck Lars was thinking.

Don't let me put you off though if you're a Lars fan, and trust me you'd want to be... and if you can find it in a playing cinema - which should probably hint at something - it is showing in limited release through Palace, Chauvel, and Dendy.

Beware of quick political fixes - "Ides of March" review

Drama - USA - 101 mins
Release Nov 2011
Directed by George Clooney
Screenplay by George Clooney & Grant Heslov

 A friend once said "Words, words, words... only just words - show me your heart by your actions". Nothing could be truer than in the game of politics. This film had me hmm-ing all the way through it! It seems the political system is forecasted to continue as it always has - new leader, same words, corrupt action - a snapshot of the current world political leaders set in a microcosm of the USA. Will "we" ever learn to discriminate hype from policy?


A brilliant script by Clooney et al, and naturally brilliantly acted by Clooney as soon-to-be destined President of United States Mike Morris and naive presidential believer Stephen Meyers (Ryan Gosling). Phillip Seymour Hoffman as political adviser Paul Zara and Paul Giamatti as opposition candidate adviser Tom Duffy also play definitive roles in this way too believable story arc.

To say I loved this film would be wrong - it made me sad. It is, however a powerful awakening to really listen to what is being put "out there" from global leaders.

Showing nationally, Dendy and Palace Cinemas.

Midnight in Paris - for intelligent audiences

For the Romantic at Heart
94 min  -  Comedy - Fantasy - "Magic Realism" - Romance
Written and Directed by Woody Allen
2011 USA

As a writer, isn't it everyone's fantasy to meet the literary greats? Throw in the heady mix of Picasso, Monet, Dali, a surrealist and philosopher or two, 1920s Golden Age of music, wine and dance and you've got yourself one heck of a wild imaginal trip!

Gil (Owen Wilson) is a Hollywood screenwriter and considers himself a "hack". He's on a journey to write a truly inspired literary novel though is having immense difficulty. Inez (Rachel McAdams) his fiance isn't exactly supportive, along with her "old moneyed" parents (Kurt Fuller and Mimi Kennedy). 




In classic Woody Allen style, it's clear Gil and Inez aren't meant for each other... though insecure, and perhaps naive Gil persists with the relationship while the whole time dreaming about walking in the Parisian rain and being born into the wrong era. 

Lost in the streets of Paris one evening the clock chimes midnight and suddenly a vintage yellow Rolls Royce comes to his rescue - inside are of course F. Scott & Zelda Fitzgerald.

Owen Wilson plays this character perfectly! And for those who have remarked Australian audiences are lazy (sorry Margaret P)... I challenge you to indulge in this wonderful fantasy and witty dialogue. 

It's one of those film scripts you wish you had of written - if only you'd thought of it first. Loved every minute of it. Showing Nationally now.

Just for the Fun of it!

To dance is to be out of yourself. Larger, more beautiful, more powerful. ~Agnes De Mille

Bright Young Things - young film-makers Festival

Short Film Festival by first-time festival director Rachel Cormack!

Sydney, 20 October 2011

Upcoming AFTRS graduate of Screen Studies explores the pitfalls and joys of being a short-film festival director/curator, with outstanding results. The six short films that made the final cut were delightfully varied, yet intricately linked, showcasing Australia indeed has some very talented Bright Young Things.


The six films that made "the cut" were (in order of appearance):

Lewis Johns
Directed by Lewis Johns, featuring model Rhys Wakefield

 


A stunningly poetic film on the beauty and vulnerability of youth.

http://rhyswakefield.net/2009/12/new-short-film/



Clouds
Writer/Director/Cinematographer Alexander Lee

An intelligent short film on the premise of What if... de ja vu was really a destined event you had already experienced in the future, and knowing this in advance could you prevent it? Special mention to the producer Joel Bell, another bright young thing! Clouds premiered at Dungog Film Festival 2011, IF Awards 2011. JUDGES HONOURABLE MENTION AWARD. http://www.facebook.com/cloudsfilm


Reception
Directed by Dane McCusker

A horror awaits an ambivalent teen mother as she works the night-shift at a low-budget hostel. Another debut short at Dungog Film Festival and IF Awards. Well done.


http://www.ifawards.com/film/reception


The Fear
Directed and Produced by Matt Burgess

Do you remember losing your virginity? A drug-hazed teenager is trying to forget.
Matt Burgess is a film-maker, artist, singer, song writer - a really bright young thing.


http://wickedmirandaproductions.tumblr.com/tagged/the_fear
  
 Abbie
Directed by Erin Good
A comedy about idealistic, creative young girl entering the workforce and the conflicts of reality versus fantasy. Look out for some wonderful animation of Abbie's mind. WINNER of Bright Young Things Award 2011. Well done.


http://www.eringood.com/films/abbie-2



Camera Obscura
Directed and created by Marta Maia
My personal favourite of the festival is this superb stop-motion short film. Sometimes the only way to change the world is to let in the light and to block out the darkness. Loved it!
http://vimeo.com/martamaia







Congratulations Rachel Cormack! A fantastic success and a wonderful opportunity for young film-makers 18-28 yrs to showcase their work. It was an absolute pleasure to view all these bright young things short films.